The Importance of Being Earnest by Cecily Cardew

Miss Prism says to Cecily, "I re in ally don't see why you should keep a daybook at all." Cecily answers,

I keep a diary in order to enter the wonderful secrets of my life. If I didn't write them down, I should probably forget all ab bug out them (57).

Most of Cecily's diary, however, has cipher to do with her memory of reality, for it is entirely manufactured out of swerve air, and deals with a man who she has never met, but has only perceive lies about from Jack---lies which concern a man who does non even exist in the first place.

In fact, the diary, as we shall learn, does conduct some accounts based in reality, just as the play, with all its farce and nonsense, contains some connection to reality. Just as Wilde skewers society's pretensions and deceptions by exaggerating them, so does Cecily's diary skewer the romanticized notion of love among the upper crust in her diary.

Miss Prism goes on in the like scene to say that Cecily's diary is unnecessary because " store . . . is the diary that we all carry about with us," and Cecily responds, "Yes, but it unremarkably chronicles the things that keep up never happened, and couldn't possibly have happened. I swear that memory is responsible for nearly all the three-volume novels that Mudie sends us" (57-58). In other words, Cecily is saying that memory is deceptive, inaccurate and fantasy-based---precisely the a

By a series of preposterous incidents, Cecily comes to call up that Algernon is Ernest, finally, as she believes, meeting in person the man with whom she has been carrying on a romantic relationship in the fantasies of her diary. She is drawn to him in the first place because of the stories invented about him by Jack (or at least stories about the person she believes to be Jack's brother Ernest, not Algernon).

Wilde, Oscar. The Importance of Being Earnest. New York: Avon, 1965.

Miss Prism's novel reflects the same deceptive nature of Cecily`s diary, and, as such, also fits into the cosmopolitan theme of the play---the unwillingness and/or inability of any pillow slip to live according to reality.

A Governess leading a confine life leads an expansive life of fantasy in a three-volume novel---which she then misplaces.

djectives which can be applied to her own diary.

Algernon, smooth pretending to be the fictitious "Ernest," protests the breaking of the engagement. Cecily tells him, "It would hardly have been a serious engagement if it hadn't been broken off at least once. But I forgave you before the week was out" (75).

In that passage, Wilde means to satirize the romanticism of Cecily and the diary, first present that she means to publish her diary for money, and then showing how brusque Algernon's compliments truly touch her heart. After all, if she were truly locomote by his praise, she would hardly be in a recite to write it down, much less to tell him that she was writing it down.

keep to write down his ongoing praise, Cecily critiques his words of love, suggesting that "hopelessly" is an adverb plectron which does not "make much sense" (73). He is intercommunicate from his heart, but she is analyzing his words from the perspective of a girl with a most rational ear (73).

Worn out by your entire ignorance of my existence, I determined to end the matter . . . and later a long struggle with myself I accepted you to a lower place this dear old tree here. The
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