One clear day in 1977, in a microscopical place called Harlem, a new urban sound was born. Its fathers named it Hip-Hop, and want many of its newfound urban listeners, it had a hard conviction growing up. Hip-Hop is a combination of poetry and twist that is supposed to give its listeners an idea of what city life is unfeignedly about. But, due to the recent fascination with thug life and the bankers acceptance of gangsta rap, urban living is not truly represented in the rap music today. Instead of showing its listeners how to get by from peer pressure and the everyday struggle of city life, its rappers boldly boast of the chickenheadz who they (more than likely without protection) start out had sex with, the niggas they have killed and the drugs they have used. As the hype of gangsta rap music increases, society, no thirster alarmed by violence, becomes desensitized to the problem at hand, revealing a tragic flaw in todays moral standards, which if unaided could lastly lead to our downfall.
The first problem society continues to overlook is the situation that hip-hop music leads to violence and not to reality. Our culture interminably ignores the excessive glorification of violent acts.
One survey shows that xlvii percent of mothersbelieve that the messages in rap lyrics contri hardlye a great deal to school violence(MediaScope), which should be veridical evidence to prove that hip-hop music is a problem. In addition, slang has now become commonplace(Waite 74). Women not nevertheless use words such as trick and thrill to attack other women, but they also use this self-importance derogatory language to describe themselves. Ultimately, these lyrics do nothing but box young women into stereotypes and weaken their sense of worth(Waite74). The einsteinium Coast/West Coast rivalry, a fatal conflate of hip-hop, violence, and gangster...
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