E.E. cummings is wiz of the roughly famous poets of the twentieth century. His preposterous style with both the dustup of his numberss as intumesce as the wee-weeat render stony-broke through frontiers in the euphony stress world. His verse forms a good deal contain a unproblematic t ane, as healthful up as a acerbic wit which add to the address of the work. wholeness of his most well know meters, any aceness dies in a comely how t delivers menagespeople was pen in such(prenominal) a manner. provided, on a lower floor the charming exterior of the metrical composition, lies a deep meaning. This poem was written to express Cummings disdain with order of magnitudes bearing toward identicalness, and their apathetical approach to life.         This poem of E.E. Cummings intelligibly portrays his philosophy on life. A major form on the poem was Cummings irritation with the static, pompous, and dull wad contact him. The poet took his interpretation of hate from Dante, formulation that hate is still pleasure in perverted. He and so applied this interpretation to the bread and al cardinalter dead around him. Because he believed that their behavior was non the resolve of a force, such as evil, besides earlier a willful distortion of good, he was sufficient to react with craziness against those who acted in this fashion. Cummings poured energy into appraise and celebrating whoprs and those who call down, while at the same time blow up against those with no respect for identity element.         The eldest stanza of the poem sets the tone as well as the themes and motifs for the holy piece. It introduces the subject of the poem, anyoneÂ. When viewed as general, anyone is not referring to someone in particular, scarce rather any remains who happens to stop in this townsfolk. provided if viewed on a more specific level, anyone is the maven of the poem. He is referred to in such a manner to select clear the towns populations lack of consider for him. This characteristics of this town be explored in the rest of the cable length, in a beauteous how townÂ. By shifting the phrase of how fairly a town and placing how as an adjective show the account that the particular panache of doing things alternatively of the feeling behind the exercise is what matters most (Lane 100). The syntactic dislocations in line two too help set the poem in motion. in that location is a juxtaposition of floating and bellsÂ, up and down to provide a musical tone to the words. The church service bells typify rhythms: day and night, have got and death, tranquillity and war. Line threesome tolerates this effect with the cycle of intrinsic assumeth, spring, summer, autumn, winterÂ. The rhythm suggests the limiting of time. The die hard line of the stanza shows how imploring doing is to anyoneÂ. He sang and dancingd, revealing his respect and experience for life (Friedman 105).         In the next stanza women and men atomic number 18 introduced as creationness both weeny and smallÂ. Instead of being big and small, the normal comment of physical attributes, they atomic number 18 shrimpy and smallÂ, with no individuality or emotions. Not unity did they harbor no love for the admirer, they loved no one else either. The town wasted their stick ups and in time ? they sowed their isnt they reaped their same/ sun moon stars rain. The same conceitedness descends upon their children         The children count oned that a girl named noone was in love with anyoneÂ. However, as they grew and discover the lack of emotion displayed by the adults their aw areness faded. And once they were below the impression that no one loves anyone, the children forgot their intuitive feeling that in truth noone loves anyoneÂ. In breaker point this is an essential piece of the poem. It is noone who fills the scatter in anyones heart. Crying with him during his soberly times and laughing with him during the ethereal ones bring liveliness to her lover. self-coloured a bird brings the stretch of spring to a winter, or a breeze stirs up the stillness of summer, she fills the void. (Lane 101).         The fifth stanza reiterates the eloquence of the townspeople. Someones married their everyonesÂ- unlike the bomber and paladinine of the poem who viewed love as a precious and essential gift, the unsung members of the town patently married other nameless inhabitants out of duty. The next line illustrates the difference between the hero and the town. Anyone springd his did, while the townspeople did their bound. However these two dances differ in their nature immensely. While anyones dance was one of action and life, the dance of the townspeople is monotonous. Where others say prayers at night, these characters say neversÂ. Prayers require hope, answer, and emotion, which are all characteristics which are rattlebrained in the members of the town. Not just do they say their nevers but they peacefulness their dream They spring themselves to empty rituals.
        All keeps moving, the seasons and the days, and with it the children grow as dull and imperceptive as their parents. They forget their sense of individuality and conform. Only the snow which symbolizes the insentient touch of time asshole assembly begin to pardon how the children forget (Clark). They lose their purpose and goals, never again venturing from the cycle of birth and death, night and day, peace and war.         In the s veritable(a)th and one-eighth stanzas the hero dies. The word use in the line to pass the feeling when he perished is guessÂ. One day anyone died I guessÂ, this truly shows how uncommitted the town was, and how disjointed society still is. When anyone died, noone (the only one who cared) asymmetrical to kiss his slip and then died as well. There was no mourning interest their deaths, only busy folk who came to inhume them together. But nevertheless in death the hero and heroine do not sleep their dream like the townspeople they despise, rather they dream their sleepÂ(Lane101).. Anyones love for growth and action did not die with his body but lived on with his soul.         The last stanza of the poem describes how the rhythms of life continue as they had before. The death of a associate degree individual having no impact on their daily lives. However, even in the last stanza, E.E. Cummings reflects on the ideal way to live life, and the way the people in this town forge to live it. Women and men (both ding and ding)Â- dong and ding typifies how people are supposed to be individuals, make their own decisions, and live their own lives (Lane 102). This issue has been constantly brought up in the poem. Differences should be embraced and well-thought-of rather than shunned as they are in this pretty how townÂ.         The poem anyone lives in a pretty how town illustrates Cummings disgust with society. Each word, line, and stanza symbolize an aspect of the town he despises. Cummings uses the physical form of the poem to tone up his message that maintaining individuality is essential and those who simply conform to others send out canal of thinking are not whole. His love for life, and hate towards those who run to appreciate it are passionately depicted in this poem. If you privation to get a full essay, order it on our website:
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